How to Die

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My brother, Mark, died with grace and aplomb. His deaths were always flawless. Whether he was shot by Indians, stabbed by a pirate, or murdered by the Mob, he always died with such finesse.

Of course, we all took turns dying. The barn was the perfect place for it. There were stacked bales of hay with a pile of loose hay just below to cushion your fall. One by one we would climb to the top bale, clutch the wound where the bullet entered, and pitch headlong into the hay below. Yet Mark always made it seem so realistic.

One time he seemed not to notice he had been shot. He put his hand to his chest as if he had an itch. Then he pulled it away, staring with surprise at the warm, red blood on his hand. His eyes glazed over, and he fell face first and spread-eagle into the hay. Another time, the impact of the bullet knocked him into a half-turn. His arms went up as if he expected to by picked up by a gentle deity. Then he fell backward into the hay like a rag doll. Once dead, he also would linger longer in his final pose; it lent a greater air of verisimilitude to his death to see him lying there unmoving, not even breathing, for what seemed much too long for play.

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